| Abstraction |
|
|
| Francis Bacon's Triptych: the ugly and the beautiful
|
| |
| Bible Story |
|
|
| Learning to Look: Crucifixions by Perugino and Crivelli
|
| Giotto and Dante
|
| Michelangelo and the Images of Man and God
|
| The Book of Kells and Worship of Language
|
| Bruegel's Parables
|
| Caravaggio's Emmaus Paintings
|
| Cimabue, Form and Movement
|
| Giotto and the Betrayal of Christ |
| Perspective and Leonardo da Vinci's Last Supper |
| Perspective, Alberti and the Annunciation of Fra Angelico
|
| |
| Epic |
|
|
| Purgatorio, 28
|
| |
| Figure |
|
|
| Caravaggio, Narcissus, and the Subject of Painting
|
| David and the Death of Socrates
|
| Francis Bacon's Triptych: the ugly and the beautiful
|
| Michelangelo and the Images of Man and God
|
| Bruegel's Parables
|
| Figures in a Landscape: the Fete Champetre and Manet's Dejeuner sur l'herbe |
| Giotto and the Betrayal of Christ |
| Goya and the Sleep of Reason
|
| Titian's Bacchus and Ariadne |
| |
| History |
|
|
| David and the Death of Socrates
|
| What the Parthenon Tells Us that Greek Literature Does Not
|
| History Painting without a Source: David's Oath of the Horatii |
| Uccello, Machiavelli, and the Art of War
|
| |
| Illusion |
|
|
| Atget and Absolute Reality
|
| Escher and Impossible Spaces
|
| Uccello, Machiavelli, and the Art of War
|
| |
| Illustration |
|
|
| Purgatorio, 28
|
| The Book of Kells and Worship of Language
|
| Bruegel's Parables
|
| Giotto and the Betrayal of Christ |
| Goya and the Sleep of Reason
|
| |
| Landscape |
|
|
| Light and Nature in Turner and Constable
|
| Figures in a Landscape: the Fete Champetre and Manet's Dejeuner sur l'herbe |
| Hokusai, Hiroshige and Views of Mt. Fuji
|
| Titian's Bacchus and Ariadne |
| |
| Myth |
|
|
Laokoön: Sculpture and Story
|
| Ambivalent Imitation: Plato's Republic and Myron's Athena and Marsyas
|
| Caravaggio, Narcissus, and the Subject of Painting
|
| Homer's Shield of Achilles and the Etruscan Chariot
|
| Ways to Read Botticelli's Primavera
|
| What the Parthenon Tells Us that Greek Literature Does Not
|
| Girodet's Endymion and Barthes' S/Z |
| History Painting without a Source: David's Oath of the Horatii |
| Titian's Bacchus and Ariadne |
| |
| Ornament |
|
|
| The Book of Kells and Worship of Language
|
| Sullivan, Weber and Metaphors for Modernity |
| |
| Portrait |
|
|
| Caravaggio, Narcissus, and the Subject of Painting
|
| Cezanne's Portrait of Gustave Geffroy
|
| Figures in a Landscape: the Fete Champetre and Manet's Dejeuner sur l'herbe |
| Titian's Bacchus and Ariadne |
| Velazquez's Las Meninas and Foucault
|
| |
| Still Life |
|
|
| Chardin and the Still Life
|
| Figures in a Landscape: the Fete Champetre and Manet's Dejeuner sur l'herbe |
| |
