Period
Ancient
Greek
What the Parthenon Tells Us that Greek Literature Does Not
Laokoön
: Sculpture and Story
Ambivalent Imitation: Plato's
Republic
and Myron's
Athena and Marsyas
Homer's Shield of Achilles and the Etruscan Chariot
Roman
Ambivalent Imitation: Plato's
Republic
and Myron's
Athena and Marsyas
Medieval
Celtic
The Book of Kells and Worship of Language
Renaissance
Duecento (Italian)
Cimabue, Form and Movement
Trecento
Giotto and the
Betrayal of Christ
Giotto and Dante
Quattrocento
Uccello, Machiavelli, and the Art of War
Purgatorio
, 28
Perspective, Alberti and the
Annunciation
of Fra Angelico
Perspective and the Hunt for Meaning in Uccello
Learning to Look
: Crucifixions by Perugino and Crivelli
Ways to Read Botticelli's
Primavera
Perspective and Leonardo da Vinci's
Last Supper
Cinquecento
Titian's
Bacchus and Ariadne
Michelangelo and the Images of Man and God
Figures in a Landscape: the
Fete Champetre
and Manet's
Dejeuner sur l'herbe
Northern
Bruegel's Parables
Baroque
Velazquez's
Las Meninas
and Foucault
Caravaggio,
Narcissus
, and the Subject of Painting
Chardin and the Still Life
Caravaggio's Emmaus Paintings
Neo-Classical
History Painting without a Source: David's
Oath of the Horatii
David and the
Death of Socrates
Romantic
Goya and the Sleep of Reason
Light and Nature in Turner and Constable
Girodet's
Endymion
and Barthes'
S/Z
Modern
Hokusai, Hiroshige and Views of Mt. Fuji
Escher and Impossible Spaces
Cezanne's
Portrait of Gustave Geffroy
Atget and Absolute Reality
Figures in a Landscape: the
Fete Champetre
and Manet's
Dejeuner sur l'herbe
Francis Bacon's
Triptych
: the ugly and the beautiful
Sullivan, Weber and Metaphors for Modernity
